Such is the case with Catherynne Valente's books.
I love her books. They're poetic and shifting and mythic and folded, labyrinthine, over each other. But that doesn't really jive with the structure I usually have in the clothing that I like. They fit more with an ethnic and bohemian vibe.
But that doesn't mean they don't inspire me. And so I made these.
Golod was a strangely inspiring character in In The Cities of Coin and Spice. A beast composed entirely of teeth and hunger, I wanted there to be something off about this outfit. Ivory was a natural choice for the color, of course, but I wanted to emphasize both the fluid motion of the clothing and the sharp points of the teeth.
I'd probably pair this set with hollow-eyed makeup, just enough to make it eerie.
Zmeya was probably the most atmospheric character in any of the tales. A beautiful woman who, it is discovered, is much more serpentine than she seems.
I wanted this to be a bit exotic and belly dancer inspired. I didn't make the clothing white, although her description specifically mentioned white veils, because that sort of clothing doesn't get the same sultry effect across without a face attached. Instead, then, I went with a dark-toned palette and shifting fabrics with copious snake accents.
There are no shoes here, and this is for a reason. Zmeya was kept in specific chambers with no entrance but by the sultan's chambers.
Finally, Ajanabh. I loved Ajanabh. I sunk into its walls and wanted to live there. And I'm pretty sure that this shows through in this outfit.
Red shoes were a must, for the dancing master's cinnamon scented heels. A violin, too, for Agarfena. Black chiffon blouse for her smoky hair. The skirt and its dusty colors were lifted from the tone of the city. I merely followed the tone of a run-down city and found this.
Just a little more bookish inspiration for you, readers.
Zmeya was probably the most atmospheric character in any of the tales. A beautiful woman who, it is discovered, is much more serpentine than she seems.
I wanted this to be a bit exotic and belly dancer inspired. I didn't make the clothing white, although her description specifically mentioned white veils, because that sort of clothing doesn't get the same sultry effect across without a face attached. Instead, then, I went with a dark-toned palette and shifting fabrics with copious snake accents.
There are no shoes here, and this is for a reason. Zmeya was kept in specific chambers with no entrance but by the sultan's chambers.
Finally, Ajanabh. I loved Ajanabh. I sunk into its walls and wanted to live there. And I'm pretty sure that this shows through in this outfit.
Red shoes were a must, for the dancing master's cinnamon scented heels. A violin, too, for Agarfena. Black chiffon blouse for her smoky hair. The skirt and its dusty colors were lifted from the tone of the city. I merely followed the tone of a run-down city and found this.
Just a little more bookish inspiration for you, readers.
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